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| | Goethe's Concept of the Daemonic: After the Ancients | |
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Erik
Posts : 376 Join date : 2015-01-18 Location : Judah
| Subject: Goethe's Concept of the Daemonic: After the Ancients Mon Jan 19, 2015 4:22 pm | |
| This thread is going to be about a philosophical text on the concept of the daemonic. The title of the text is Goethe's concept of the Daemonic: After the Ancients by Angus Nicholls. It's an excellent book, because it's not merely about Goethe's concept of the daemon, but pretty much the entire history of it. The concept of the daemon originated in ancient Greece. It's a nuanced philosophical/religious concept, but I believe it's safe to say that, in general, it is defined as a spiritual mediator or sensibility between two realities, e.g., the divine realm and the Earthly realm. I will put in entries of passages from the text and a link to a free E-book download of it, below. Goethe's Concept of the Daemonic: After the Ancients
Last edited by Erik on Thu Jan 29, 2015 7:59 pm; edited 3 times in total | |
| | | Erik
Posts : 376 Join date : 2015-01-18 Location : Judah
| Subject: Re: Goethe's Concept of the Daemonic: After the Ancients Mon Jan 19, 2015 4:23 pm | |
| - Quote :
- “The idea of the daemonic,” wrote Walter Benjamin,
“accompanies Goethe’s vision all his life.” For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge. Socrates also relied upon a “divine voice” known as his “daimonion,” which inspired him in situations where his rational methods had reached an impasse, thereby showing the limitations of reason itself. Goethe was introduced to this ancient concept of the daemon by Hamann and Herder, who associated nonrational, daemonic inspiration with an aesthetic category of central importance to early German Romanticism: that of “Genius.” Angus Nicholls’s book shows how the young Goethe initially depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe’s works on the daemonic through theorists such as Lukács, Benjamin, Gadamer, Adorno, and Blumenberg, Nicholls contends that they contain philosophical arguments concerning reason, nature, and subjectivity that are central to both European Romanticism and the Enlightenment. This is the first book to examine Goethe’s writings on the daemonic in relation to both Classical philosophy and German idealism. | |
| | | Erik
Posts : 376 Join date : 2015-01-18 Location : Judah
| Subject: Re: Goethe's Concept of the Daemonic: After the Ancients Mon Jan 19, 2015 4:24 pm | |
| - Quote :
- In ancient Greek thought, daemons were seen as intermediaries between
the world of the divine and the material world, and Plato would also have been aware of the conception of the philosopher as a daemon or intermediary between the secular and the divine. This idea is present only fifty years or so before Plato’s birth in the thought of Empedocles. Empedocles’ notion of the daemon as an exile who has been banished from the kingdom of the gods is presented in fragment 107 of the Katharmoi, often called “The Decree of Necessity”:
There is a decree of necessity, ratified long ago by gods, eternal and sealed by broad oaths, that whenever one in error, from fear, (defiles) his own limbs, having by his error made false the oath he swore — daimons to whom life long-lasting is apportioned — he wanders from the blessed ones for three times countless years, being born throughout the time as all kinds of mortal forms, exchanging one hard way of life for another. For the force of air pursues him into the sea, and sea spits him out onto earth’s surface, earth casts him into rays of blazing sun, and sun into the eddies of air; one takes There is a decree of necessity, ratified long ago by gods, eternal and sealed by broad oaths, that whenever one in error, from fear, (defiles) his own limbs, having by his error made false the oath he swore — daimons to whom life long-lasting is apportioned — he wanders from the blessed ones for three times countless years, being born throughout the time as all kinds of mortal forms, exchanging one hard way of life for another. For the force of air pursues him into the sea, and sea spits him out onto earth’s surface, earth casts him into rays of blazing sun, and sun into the eddies of air; one takeshim from another, and all abhor him. I too am one of these, an exile from the gods and a wanderer, having put my trust in raving strife.14
The daemon is cast out of heaven as a result of committing the sin of bloodshed (defilement of the limbs), which is viewed as an act that produces a pollution of the divine part of the soul. This act also constitutes a transgression of the bond or oath imposed upon the daemon by Love, and accordingly he becomes subject to miasma: a kind of infection of the soul that separates him from his divine counterparts and begins the cycle of his existence on earth in different incarnations of mortal life.15 The daemon is then presented with the task of reunifying himself with the gods, as this will represent his redemption. Thus, as M. R. Wright observes in his commentary on the Katharmoi, “to be forced from the company of his fellows for a time of exile, and eventually to return to them, is basic to Empedocles’ theory of the daimon.” | |
| | | Erik
Posts : 376 Join date : 2015-01-18 Location : Judah
| Subject: Re: Goethe's Concept of the Daemonic: After the Ancients Mon Jan 19, 2015 4:29 pm | |
| - Quote :
- The daemon’s fate is produced by a
necessity that can only be described as an indeterminate or unknowable cause. In this way, Empedocles gives a name to that which is unknowable and incalculable. There is, moreover, no sense in which the daemon’s banishment can be accounted for in terms of the Christian psychology of sin. The daemon has not sinned in the modern psychological sense of freely and consciously choosing a particular course of action. Rather, as M. R. Wright puts it, “although the daimon has come under the power of Strife . . . this need not imply wrong intention or power of choice on the part of the daimon.”17 For Empedocles, and for other pre-Socratics like Heraclitus, character was an objective and not a subjective phenomenon. As is seen in the example of Empedocles’ daemon, one’s character is not really a matter of choice or subjective will; rather, human acts are seen to flow from an external, divine agency associated with necessity.18 Accordingly, when Heraclitus states in fragment 119 that “a person’s character is his daemon,” the term daemon may mean either one’s fate or one’s guardian divinity.19 In his commentary on fragment 119, T. M. Robinson argues that the fragment may in fact carry both meanings. Hence, on the one hand, a daemon may be the soul of a noble individual who has died — a soul that will subsequently function as a guardian divinity that protects another person during his or her life, thereby influencing his or her fate. On the other hand, however, the fragment may also mean that the person’s own character, and not the soul of another individual who has died, is their daemon. In this latter sense, according to Robinson, “one’s own character is also one’s destiny (daemon)” and in this sense one is completely responsible “for the daemon that is one’s character.”20 This notion of responsibility is, however, definitely not to be equated with modern notions concerning the consequences that arise from the actions of free and autonomous agents. As Charles H. Kahn observes, Heraclitus identified the individual character with the elemental powers and constituents of the cosmos. It is these elemental powers, as opposed to the individual’s freedom and autonomy, that “constitute the physical explanation or psychophysical identity of the particular life in question, the elemental equivalent of a given moral and intellectual character.”21 Similarly, the catastrophic split between the forms and the physical world depicted by Plato in Timaeus should not be confused with the Christian Fall. Although, as Ronna Burger points out, the Platonic split does have something in common with original sin, in the sense that all humans are born fallen and “in ignorance of the truth,” the split cannot be said to have occurred as the result of sin in the Christian sense. Rather, it occurs simply because it was not possible to bring beings based upon the forms into existence without making them temporal and corporeal.22 The temporal world is fallen, but not in any moral or psychological way: rather, its fallen-ness is its necessity, as the act of creation in Plato is necessarily an act of division. With regard to the fates of individuals, the Platonic daemon is likewise connected with the notion of necessity, although the idea of sin re- ceives a stronger treatment in Plato than it does in Empedocles. In the “Myth of Er” section of The Republic (614b–621d) Plato, through the character of Er, gives an account of the transmigration of souls similar to that found in Empedocles’ “Decree of Necessity.” Er, having died in battle, encounters the “other world” in which souls are allotted their fates, and then returns to life to tell of his experiences. Er has been appointed by the judges of the other world as a messenger charged with reporting to earthly men the events that take place there. He refers to this other world as a topos daimonios (daemonic place, 614c) as it is here that souls are required to choose their fates or lots for the next life. The lots are distributed by Lachesis, the daughter of necessity, and they include both animal and human forms of life. Each soul may choose its respective lot, but this choice is soon forgotten, as the souls proceed to the forgetful river at Lethe and, after drinking their fill, they forget all of their experiences in the daemonic world, subsequently returning to life ignorant of their choice of lot. Thus, although Plato implies that each soul chooses its lot and is therefore responsible for this choice, in the trajectory of life itself the choice of lots is forgotten, and life appears to be governed by necessity. What does Plato mean by calling this other world a daemonic place? Here daemonic can mean both “of necessity” and “of divination” or “mantic.” In Heraclitus’s sense of the daemon as the nexus between character and fate, the world experienced by Er is one in which souls are once more fated (that is, given a lot) for their next incarnation. This interpretation also accords with the etymological origin of daemonic in the word daio, which refers to the division and distribution of divine gifts by the gods.23 Er’s role as an intermediary or courier who brings news of the hidden world is also daemonic in the mantic or divinatory sense. The experiences that he reports take place in an intermediate, transitional world suspended between life and death, and he himself is something like the living dead, having mysteriously arisen from his own funeral pyre. Overwhelmingly, however, the “Myth of Er” is a testament to the inexorable and unfathomable workings of necessity. This is seen when Plato gives us a detailed rendering, at 616b–c, of the “Spindle of Necessity” that revolves upon a “straight light like a pillar . . . extended from above throughout the heaven and the earth” (PCD, 840), demonstrating the extent to which Plato’s version of the daemonic is literally a kind of conduit or tube that transports divine or numinous information to the physical realm. | |
| | | Erik
Posts : 376 Join date : 2015-01-18 Location : Judah
| Subject: Re: Goethe's Concept of the Daemonic: After the Ancients Mon Jan 19, 2015 4:40 pm | |
| - Quote :
- What does Plato mean by calling this other world a daemonic place?
Here daemonic can mean both “of necessity” and “of divination” or “mantic.” In Heraclitus’s sense of the daemon as the nexus between character and fate, the world experienced by Er is one in which souls are once more fated (that is, given a lot) for their next incarnation. This interpretation also accords with the etymological origin of daemonic in the word daio, which refers to the division and distribution of divine gifts by the gods. Er’s role as an intermediary or courier who brings news of the hidden world is also daemonic in the mantic or divinatory sense. The experiences that he reports take place in an intermediate, transitional world suspended between life and death, and he himself is something like the living dead, having mysteriously arisen from his own funeral pyre. Overwhelmingly, however, the “Myth of Er” is a testament to the inexorable and unfathomable workings of necessity. This is seen when Plato gives us a detailed rendering, at 616b–c, of the “Spindle of Necessity” that revolves upon a “straight light like a pillar . . . extended from above throughout the heaven and the earth” (PCD, 840), demonstrating the extent to which Plato’s version of the daemonic is literally a kind of conduit or tube that transports divine or numinous information to the physical realm. | |
| | | Erik
Posts : 376 Join date : 2015-01-18 Location : Judah
| Subject: Re: Goethe's Concept of the Daemonic: After the Ancients Mon Jan 19, 2015 4:42 pm | |
| Anamnesis: - Quote :
- Although the concept of anamnesis is given its most detailed philosophical
treatments in the Meno and the Phaedo, it is in the Phaedrus that Plato endeavors to present this concept by way of a mythical narrative that displays some similarities with the account of the soul found in the “Myth of Er.” All souls, says Socrates in the Phaedrus, were originally winged and beheld true Being before descending to the material world. Once they have fallen, most souls forget their previous divine existence. This forgetting may be attributable to what Plato says about the “forgetful river” at Lethe, or it may generally be associated with the soul’s contamination by things evil and foul, which cause the soul’s wings to wither and die, as the soul’s loss of its wings is concomitant with the forgetting of the forms (246e). To complicate matters further still, Socrates also suggests later in the dialogue (at 248c) that the soul’s falling to earth may merely be the result of an accident or malignant necessity. Having lost its wings and fallen to earth, where it is forced to dwell in the secondary and derivative world of matter, the soul is faced with the task of regrowing its wings and returning to its former divine status. The capacity to recollect the soul’s previous divine existence is, according to Socrates, most often found in philosophers. At 249b–c of the Phaedrus, it is revealed that the philosopher is gifted in this particular area because he is able to move
from a plurality of perceptions to a unity gathered together by reasoning — and such understanding is a recollection of those things which our souls beheld aforetime as they journeyed with their god, looking down upon the things which now we suppose to be, and gazing up to that which truly is. (PCD, 496)
On one level, anamnesis is associated with reason. Plato sees the dialectical mode of the Socratic dialogue as a kind of path that leads from particular instances back to the universal forms. In another sense, however, anamnesis can be a fundamentally non-rational state of possession. Socrates argues that in some cases the process of anamnesis takes place as a result of the subject’s contemplating those aspects of the material world that, in their beauty and goodness, remind him of the transcendent realm from which his soul originally emanated. In effect, Socrates contends that anamnesis may be facilitated by focusing upon the beauty inherent in a love-object. This, it is explained at 249e, occurs when a man
as soon as he beholds the beauty of this world, is reminded of true beauty, and his wings begin to grow; then is he fain to lift his wingsand fly upward; yet he has not the power, but inasmuch as he gazes upward like a bird, and cares nothing for the world beneath, men charge it upon him that he is demented. (PCD, 496) | |
| | | Erik
Posts : 376 Join date : 2015-01-18 Location : Judah
| Subject: Re: Goethe's Concept of the Daemonic: After the Ancients Mon Jan 19, 2015 4:46 pm | |
| Diotima and the Daemon: - Quote :
- Diotima’s speech and that of Aristophanes operate on different
levels. While Aristophanes’ discourse on the origin of love functions as a kind of comic interlude in the Symposium — albeit a comic interlude that gives a mythic representation of some of the key features of Plato’s notions of love as eros — the speech of Diotima is intended to be taken far more seriously. Socrates tells us that Diotima is a wise woman, and that he has learnt much from her. At 199c–201c of the Symposium, prior to Diotima’s speech, Socrates discusses the nature of love with Agathon. In order to refute Agathon’s assumption that love is to be equated with the beautiful, Socrates points out that love must be love of something, and that this something is the beautiful. Socrates then goes on to argue that because love is the desire for the beautiful, and given that one who desires always desires that which he lacks, then love itself is not beautiful. Love and desire are thus defined by Socrates in terms of a lack, and more specifically, as a lack of beauty and goodness. It is at this point that Socrates introduces Diotima’s speech. In response to Socrates’ statement that love is a great god, Diotima argues that love cannot be a god because love desires, and therefore lacks, that which the gods possess: beauty and goodness. Love (eros) says Diotima at 202d–203a, is:
A very powerful daimon . . . and daimons, you know, are half-way between god and man. . . . They are the envoys and interpreters that ply between heaven and earth, flying upward with our worship and our prayers, and descending with the heavenly answers and commandments . . . the man who is versed in such matters is said to have daemonic powers [sophos daimonios], as opposed to the mechanical powers of the man who is an expert in the more mundane arts. There are many daimons, and many kinds of daimon, too, and Love is one of them. (PCD, 555) - Quote :
- Diotima’s contention is that the daemon corresponds with a state of lack
or non-consummation. The daemon — embodied in this case in the concept of eros — is that which strives to be god-like, but due to the fact that it must always lack that for which it strives, the daemon is forever the less-than-god or almost-god. This sense of lack resonates with the fact that according to Diotima love’s mother is Penia: the goddess of poverty. But what does this notion of love as daemonic have to do with Plato’s ontology, and with his conception of the philosopher? The answer to this question is that for Plato, the philosopher is always in a state of lack, of less than complete knowledge, precisely because he is not a god. As Diotima explains to Socrates at 204a–b, gods are not philosophers because they are already wise. It is only those who are intermediate between knowledge and ignorance who can be called philosophers or lovers of wisdom. In other words, philosophers, as intermediaries or daemons with a desire to know the forms, can only ever be on the way. Any sense of arrival must be false, since the forms are, at least for human purposes, like a horizon that withdraws when approached: a destination without location that always spurs the philosopher on to greater heights. | |
| | | Erik
Posts : 376 Join date : 2015-01-18 Location : Judah
| Subject: Re: Goethe's Concept of the Daemonic: After the Ancients Sat Feb 07, 2015 6:09 pm | |
| Platonic Eros and Lukács’s Daemon: - Quote :
- The significance of Platonic philosophical eros for the daemonic is
clear. Eros is associated with the non-rational, but the non-rational can be used in a rational, philosophical way when we investigate it and begin to understand its power. Our desires indicate to us something about ourselves and the world that we inhabit. The drunken and intoxicated Alcibiades, a man suffused with desire, reveals more about philosophical eros than do any of the other speakers in the Symposium apart from Socrates and Diotima. Alcibiades shows that the quickest way home, the shortest way to the forms, is often provided by desire and intoxication, provided that desire and intoxication can be retrospectively, and — to use Ronna Burger’s terminology — “artfully” embraced and analyzed by reason. As Kierkegaard also observes in his reading of the Symposium, Alcibiades’ experience of love complements the more abstract speeches given by the other speakers on the dialogue, in that his desire is the flesh that covers and adorns the bones of dialectical reason, and as such it exemplifies and fills out, renders substantial, the abstract notion of eros outlined by Socrates and Diotima. The essence of Alcibiades’ speech is the theme of reflection upon desire, upon longing. The deepest desire buried in Platonic eros, in Platonic longing, is the desire to move from the immanent into the transcendent. As an inheritor of Kierkegaard’s philosophical tradition, and, by analogy, the tradition of Plato, the young Georg Lukács, in his Theorie des Romans (1920) finds this eminently human desire at the heart of the daemonic:
Es gibt eine wesenhafte Bestrebung der Seele, der es nur um das Wesenhafte zu tun ist, einerlei woher es kommt, einerlei was seine Ziele sind; es gibt eine Sehnsucht der Seele, wo der Heimatdrang so heftig ist, daß die Seele den ersten Pfad, der heimzuführen scheint, in blindem Ungestüm betreten muß.
Although Lukács’s definition of the daemonic is fundamentally different from that of Plato in that its central concern is the triumph of subjectivity over objectivity that announces itself in the modern novel, his definition nevertheless concurs with Plato’s notion of the daemonic in the following way: for Lukács, the longing associated with the daemonic is a human response to “die Ferne und die Abwesenheit des wirkenden Gottes.” In this way, Lukács’s definition of the daemonic is intimately connected with metaphysical longing, a longing that is directed towards an abstract, metaphysical home or origin not unlike Plato’s forms. It is this idea that comes through even more forcefully in an earlier work by Lukács — the essay “Sehnsucht und Form” (1910) — in which he defines Socratic longing as a kind of eros that must remain forever “unerwidert” precisely because its goal is metaphysical self-perfection rather than physical consummation.
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